Spectrasonics - Products - Stylus RMX

Not only is this demo using only the Stylus RMX core library, but Stephane is performing this all LIVE using the powerful Groove Menus feature. Note the interesting use of the Half speed browsing feature at the end of the demo.

FEATURES: 100% Stylus RMX

I Feel Raw - Ned Bouhalassa

Great example of how complete a track you can create with only Stylus RMX and the stock library. Maybe ned need to relieve some stress on this one!

FEATURES: 100% Stylus RMX

Mortom SubRMX - Ned Bouhalassa

Wild and Weirdness from crazy Ned!

Completely RMX core library for the grooves too...

FEATURES: Stylus RMX, Omnisphere and Trilian

Bitshift vs Stylus - Art Gillespie

How often do you get to have a demo from another developer? This killer track was kindly submitted by none other than Mr. Bitshift himself (creator of the fine pHATmatik Pro, and an in-demand remixer/producer), taking Stylus RMX down an intense hardcore path. The mono synth sounds are coming from the Wine Country/Sequential Pro One softsynth in Pulsar, and the pad and noise effect is from the Pentagon one. Stutter edits were done post-mixdown in Wavelab. An excellent example of how Stylus RMX sounds in a more "pumped-up" context.....thanks Art!

Club Kids - Mocean Worker

East Coast remixer "MOWO!" (aka Adam Dorn) contributed this demo to show how fast a dance track can be created...this one was almost done in real-time! This first section features a killer "live scratch dj battle simulation", which Adam achieved by performing wildly from a MIDI keyboard with Stylus RMX scratch menus. The second half features some synths from Atmosphere and a more "housey" feel.

FEATURES: 100% Stylus RMX and Omnisphere

D&B Blaze - Bob Wilson

This is the demo that we get the most "how did he do that?" questions about. Basically, it was a two man operation. Bob sequenced the uptempo Jazzy track....then EP went to work on it, adding more Stylus RMX parts, using the RMX LFOs for heavy filtering and panning tricks and adding the heavily effected Trilogy Bass part. The real fun then came in the 2-track editing process, with EP doing hundreds of "Squarepusher Razor-blade" edits in Bias Peak, muting beats. Reversing beats and chopping it up to add stutter FX in the mastering. It took some time...but was a lot of fun and it makes for a real "head-turner" of a demo track!

CraZee DnB - Alexei Kharlamov

This is a really wild tune that is 100% Stylus RMX. Not for the commercially minded, but definitely a lot of fun and highly creative. Alexei reveals the Russian mad scientist that he is. Shows how effective using Favorites can be, since most of this was created in real-time by simply jamming with the Favorites. EP did some crazy edits and reversing on the mix to spice it up. BTW, that horrendously bad sounding time stretching effect on the vinyl brass fall effect at the end is intentional for comic effect and was done in Bias Peak. The reason Peak was used is that the tempo changing with Groove Control sounded too GOOD!

Squared Yellow Box - Diego Stocco

Check this out....this is ONLY Stylus RMX Core Library! No other synths used!

FEATURES: 100% Stylus RMX

White Knuckle - MIDIhead

MIDIhead really goes crazy on this demo, which starts with the famous Bizarre Guitar riff from RMX and goes off in many different directions. The Core Library is showcased with a solid 4 on the floor pulse. MIDIhead used Sound Menus for all the accents and lots of loop manipulation.

FEATURES: Stylus RMX, Trilian, Metamorphosis and Omnisphere

Left Of My Field - Adrian Clarida

Mind-expanding demo showing some really unusual ways to use Trilian as a synth. The "sub kick" sound is super, super low (you won't hear it on small speakers at all) is actually a Trilian Bass sound.

FEATURES: Trilian and Stylus RMX

Intergalactic Speedway - Adam Hawk

All synths coming from Trilian in this high energy track. Drums were programmed in Kit mode in Stylus RMX, with a bit of suspenseful fairy dust from Omnisphere sprinkled on top.

FEATURES: Trilian, Stylus RMX and Omnisphere

Attack of the Spectrum - Eric Persing

Now it's time to shatter some preconceptions about Omnisphere being a "specialized" instrument that only does "pretty" sounds. Here EP is clearly dealing with some pent up issues...and showing some of the more bizarre and totally unique sounds that are a big part of what Omnisphere is all about. Check out the massive Lead sound and wild CS-80 Basses!

FEATURES: Omnisphere and Stylus RMX

6AM - Ned Bouhalassa

Get ready for some seriously intense synth work! An incredible demo of how powerful and huge Omnisphere can sound...it ain't small...that's for sure! Doesn't it make you want to put on a Superman outfit, go to Berlin and join the Love Parade?

Ned says this is an ode to his "raving" years....yiikes!

FEATURES: Omnisphere and Stylus RMX

The Haunted - Ned Bouhalassa

Ned was a "demo animal"...with new demos erupting almost daily it seemed!

This is another "tear your head off" style demo, showing how intense the combination of ambient and power-synth sounds can be used to great effect in a high energy setting. This is essentially a dry mix too, the effected vocal sound is actually from the Human Voice FX category of Omnisphere.

Makes us wonder where Ned gets all his energy....wonder what he eats for breakfast?

FEATURES: Omnisphere and Stylus RMX