Not only is this demo using only the Stylus RMX core library, but Stephane is performing this all LIVE using the powerful Groove Menus feature. Note the interesting use of the Half speed browsing feature at the end of the demo.
FEATURES: 100% Stylus RMX
© Spectrasonics and Stéphane Bonvallet
Eclectic demo that shows many different parts of the Stylus RMX core library in a "soundtrack remix" approach. The sliced vocal riff from "Motion Century" is a frequent favorite.
FEATURES: 100% Stylus RMX
© Spectrasonics and Ned Bouhalassa
Wild and Weirdness from crazy Ned!
Completely RMX core library for the grooves too...
FEATURES: Stylus RMX, Omnisphere and Trilian
© Spectrasonics and Ned Bouhalassa
Really creative user demo we found over at KvRaudio.com!
Cypher uses the core library in a lot of creative ways with odd accents.
FEATURES: Stylus RMX and various soft synths
© Spectrasonics and CypherOne
An amazing journey through the dark corners in the mind of "master of moodiness" -jdg. Very creative work here with Stylus RMX holding down the foundation, while jdg does wild processing of his vinyl crate through plug-ins to create the overall mood. Evokes strong imagery, but it's up to you to decide whether it's a good dream or a nightmare....maybe a little of both?
FEATURES: Stylus RMX and Vinyl LP processed textures
© Spectrasonics and JDG
East Coast remixer "MOWO!" (aka Adam Dorn) contributed this demo to show how fast a dance track can be created...this one was almost done in real-time! This first section features a killer "live scratch dj battle simulation", which Adam achieved by performing wildly from a MIDI keyboard with Stylus RMX scratch menus. The second half features some synths from Atmosphere and a more "housey" feel.
FEATURES: 100% Stylus RMX and Omnisphere
© Spectrasonics and Mocean Worker
This is a killer example of how close you can get to sounding like a mad turntablist with nothing but Stylus RMX, a MIDI Keyboard and a Sequencer. Ned goes nuts here with a huge variety of Scratch techniques and sounds from the Turntable sound menus. It's also a clever example of how Groove Control allows seamless beat mixing and matching of the Stylus RMX grooves that can follow tempo changes in your host sequencer.
FEATURES: Stylus RMX and Omnisphere
© Spectrasonics and Ned Bouhalassa
From the opening tape rewind sweep on, this demo shows a remarkable amount of Stylus RMX creativity. Every thing except the Bass and the Heart of Asia melody is coming from Stylus RMX. Diego works in Pro Tools and Cubase and you can hear some unique mixing and automation techniques in this demo. He does a lot of rendering with Stylus RMX to audio, and then editing and manipulation after rendering. The nice thing with Stylus RMX is that you can use it as a MIDI module, or equally well as an audio source for generating loops for further Pro Tools manipulation. The tabla-esque sounds are actually some of the congas in one of the more dense breakbeats. This track has always struck us as perfectly capturing the energy and mood of modern day Asia. Not too bad for a guy from Italy! Great one Diego...thanks!
© Spectrasonics and Diego Stocco
Big, Dark and just a little bit scary! Diego shows a whole bunch of different Basses in this track, starting with the Blown OSCar sound. He then adds some of the Finger Funk Electrics and ends with building into some of the radical sync shreds that Trilian can do.
FEATURES: Trilian, Stylus RMX with Backbeat
© Spectrasonics and Diego Stocco
Mind-expanding demo showing some really unusual ways to use Trilian as a synth. The "sub kick" sound is super, super low (you won't hear it on small speakers at all) is actually a Trilian Bass sound.
FEATURES: Trilian and Stylus RMX
© Spectrasonics and Adrian Clarida
A deep and spooky vibe that recalls Pink Floyd and Peter Gabriel's moodier moments.
The demo is simple, but that's why it sounds so huge. Most of the dynamics are coming from Chris use of the modwheel for filter crescendos and rhythmic accents. This music is based on a piece from Chris' band "Idiot Bliss".
FEATURES: Omnisphere and Stylus RMX
© Spectrasonics and Chris O'Brien
Now it's time to shatter some preconceptions about Omnisphere being a "specialized" instrument that only does "pretty" sounds. Here EP is clearly dealing with some pent up issues...and showing some of the more bizarre and totally unique sounds that are a big part of what Omnisphere is all about. Check out the massive Lead sound and wild CS-80 Basses!
FEATURES: Omnisphere and Stylus RMX
© Spectrasonics and Eric Persing
Ned takes us on a little trip through some of the unusual sounds in Omnisphere: from the fizzy opening texture, the cascading flanger pad, to the Vertigo FX and the "Silver Apples of the Moon" sound with the random pitch modulation that inspired this tribute to electronic music pioneer Morton Subotnic.
But as Ned says, "Morton didn't have access to Stylus RMX!" A cool demo filled with surprising twists and turns.
FEATURES: Omnisphere and Stylus RMX
© Spectrasonics and Ned Bouhalassa
Amazing sounds and grooves all created with Peter Maunu's awesome Electric Guitar processing. You can find all the grooves in the demo in Stylus RMX Xpanded as well.
© Spectrasonics and Eric Persing
Just a small example of the amazing processed guitar ambiences from the Bizarre Guitar sample library that are included in enhanced form in the Omnisphere core library.
You can find these grooves in Stylus RMX Xpanded and DR2.
© Spectrasonics and Eric Persing
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