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Huun-Huur-Tu
It is a rare honor that we are able to feature Huun-Huur-Tu, the foremost
international representative of Tuva's remarkable musical culture on Vocal
Planet. For these performers, representing such a culture, however, is surely
a delicate task. For how can one convey to outsiders the subtle sensibility
of a music so intimately tied to a sense of place - a place whose landscapes
and soundscapes are unknown to most listeners in the West? The Tuvans, a
South Siberian Turkic people who number some 150,000, preserve what are
arguably some of the world's oldest forms of music-making. The best known
genre of Tuvan music, xöömei (throat-singing), comprises what one might call
a lexicon of musical onomatopoeia in which natural sounds are mimetically
transformed into musical representations. Specifically for Vocal Planet, we
focused on representing throat-singing, in which a single vocalist
simultaneously produces two distinct pitches: a fundamental note and, high
above it, a series of articulated harmonics that are sequenced into melodies
and manipulated with extreme virtuosity in several canonical styles.
Unlike our Western notions of music, Tuvans not only transform the sounds of
the natural world into music through imitation; they also make sonic "maps"
of physical landscapes which may be expressed in texted songs,
throat-singing, whistling, or other types of vocal production. In short,
Tuvan music is not abstract, like most Western music, but radically
representational, the product of a cult of imitation that ties it to an
animistic understanding of the world. Regardless of it's origins and history,
everyone who hears it agrees that Tuvan Throat Singing is unlike anything
they've ever heard before.
About the singers:
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Kaigal-ool Khovalyg
An extremely talented, self-taught overtone singer, Khovalyg worked as a
shepherd until the age of 21, when he was invited to join the Tuvan State
Ensemble. He settled in Kyzyl and started teaching throat singing and igil. A
co-founder of Huun-Huur-Tu, he left the State Ensemble in 1993 to devote his
attention to the newly formed quartet. He has performed and recorded with the
Tuva Ensemble, Vershki da Koreshki, the World Groove Band and the Volkov
Trio. Covering a range from tenor to bass, Khovalyg is particularly known for
his unique rendition of the khöömei and kargyraa singing styles. |
Sayan Bapa
Sayan Bapa, child of a Tuvan father and Russian mother, grew up in the
industrial town Ak-Dovurak. He received his musical training in Kislovodsk,
Northern Caucasus, where he played fretless bass in a Russian jazz-rock band
for several years. In the early 1990s he returned to Tuva to study his roots,
and became a member of a folk-rock band, performing traditional Tuvan music
on electric instruments. A co-founder of Huun-Huur-Tu, Bapa is a versatile
string instrumentalist, and performs on the doshpuluur, igil and acoustic
guitar. As a vocalist he is currently specializing in the kargyraa style.
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Anatoli Kuular
Born in rural Chadan, Kuular was a shepherd before becoming a professional
musician. Having perfected his virtuoso throat-singing abilities as a former
Soviet-style concert performer of Tuvan folk music, he excels in the
borbangnadyr style. He participated in two Smithsonian Folkways recordings on
Tuvan music and nature sound imitations ('90 and '99). As a member of the
Tuva Ensemble he traveled to the US in 1993, having joined Huun-Huur-Tu to
replace Albert Kuvezin. An accomplished tenor vocalist, Kuular also performed
with the Khomus Ensemble, and his instrumental expertise focuses on the
byzaanchi and mouth harp. |
Alexei Saryglar
Alexei Saryglar, the youngest member of Huun-Huur-Tu, joined the ensemble in
1995 to replace Alexander Bapa. He completed his musical training in Ulan Ude
as a percussionist for classical and popular music, and became a member of
the large Russian state ensemble 'Siberian Souvenir'. A multi-talented
performer, Saryglar makes his mark as a sygyt singer, and his expertise with
traditional Tuvan percussion and string instruments naturally extends into
the art of piano playing. Like the other members of the ensemble, he resides
in Kyzyl when not on tour. |
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For more info on Huun-Huur-Tu and Throat Singing:
www.huunhuurtu.com
Huun-Huur-tu's Discography
Biographical and research text courtesy of Dr. Theodore Levin
Artist photos courtesy of Shanachie Records
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