Big, Dark and just a little bit scary! Diego shows a whole bunch of different Basses in this track, starting with the Blown OSCar sound. He then adds some of the Finger Funk Electrics and ends with building into some of the radical sync shreds that Trilian can do. 

FEATURES: Trilian, Stylus RMX with Backbeat

Mind-expanding demo showing some really unusual ways to use Trilian as a synth. The "sub kick" sound is super, super low (you won't hear it on small speakers at all) is actually a Trilian Bass sound.

FEATURES: Trilian and Stylus RMX

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Tobias gives a great example of using Trilian, Omnisphere and RMX together in a modern scoring setting - nice variety of Synth tones and arpeggiation lines from Trilian in a convincing "action cue" kind of setting. The percussion and drums are all coming from Stylus RMX, and the ambient vocals and granular textures are coming from Omnisphere....everything else is Trilian.

FEATURING: Trilian, Stylus RMX and Omnisphere

Showcasing Trilian in a more "Zimmer"-style cue, Tob creatively features the Picked Electric Basses by using delays and then accenting the main part with Drones and Pulses from Trilian's synth section. This is a good example of how effective Trilian can be in a non-pop setting. Everything is Trilian, except Omnisphere for the strings and RMX for the percussion and Noise FX. 

FEATURING: Trilian, Stylus RMX and Omnisphere

A little bit of Sunshine! Alex creates a short demo of a nice little reggae track, using the Classic Muted Electric section. nice and beefy too.

FEATURES: Trilian, Omnisphere and Stylus RMX

All synths coming from Trilian in this high energy track. Drums were programmed in Kit mode in Stylus RMX, with a bit of suspenseful fairy dust from Omnisphere sprinkled on top.

FEATURES: Trilian, Stylus RMX and Omnisphere

In this track, acclaimed New York session keyboardist and recording artist Philippe Saisse uses only Spectrasonics instruments and features Trilian. Philippe starts right off showing the warmth and smooth triggering of Trilian's Moog and Oberheim synth Basses. The beautiful "Air Pad" is from Omnisphere. Once the B section kicks in you'll hear the "Marcus" style melody from the Modern Funk bass, which is mixed with some Trilian synth doubles for the lead. Believe it or not, the cool Rhodes sound is the "Jaco Harmonics" from Trilian. The Electric Funk lines are doubled with another track of the "Old School Funk" bass too.

FEATURES: Trilian, Omnisphere and Stylus RMX

Great example of the original Trilogy Rock and Roll bass which is also in Trilian, which has heavy overdrive in the samples and some serious attitude! Notice also how well all the synths sounds work together here....they are all from Trilian too. The Classic Pick Bass is used in the bridge.

FEATURES: Trilogy legacy sounds in Trilian, Stylus RMX and Backbeat

Adam takes us way back and showcases the Trilian Retro 60's Bass.

FEATURES: Trilian and Stylus RMX

All the synths are coming from Omnisphere and electric P.bass is coming from Trilian. Drums were programmed in RMX's Kit mode.

FEATURES: Trilian Rock P.Bass, Omnisphere and Stylus RMX

This is a short clip showing off Trilian as the massive synth beast that it really is. All the synths are from Trilian, except for the pad which is coming from Omnisphere.

FEATURES: Trilian, Stylus RMX and Omnisphere

Can you say D E E E P? Ned shows how low he can go with Trilian's Hip-Hop and Deep Reso basses....very warm and groovy!

FEATURES: Trilian and Stylus RMX

A deep and spooky vibe that recalls Pink Floyd and Peter Gabriel's moodier moments.

The demo is simple, but that's why it sounds so huge. Most of the dynamics are coming from Chris use of the modwheel for filter crescendos and rhythmic accents. This music is based on a piece from Chris' band "Idiot Bliss". 

100% Omnisphere and Stylus RMX

It's a treat to have this moody Omnisphere track from Paul Haslinger, who has not only made some wonderful electronic solo albums, but is rapidly making his mark in Hollywood feature film score

On this demo, you can really hear the influence of Paul's previous work from when he was a member of Tangerine Dream. Beautiful and lush, with some clever ways of using Stylus RMX groove menus too.

100% Omnisphere and Stylus RMX

Super dreamy, space-out piece from PH, which is reminicient of Peter Gabriel and Brian Eno's work. Cool use of Stylus RMX.

100% Omnisphere and Stylus RMX

Eric does a neat trick in this demo of showing how the evolving Ambiences can be used effectively as pulsing synth parts. There are several techniques for achieving this, but he's using a gate on each of the evolving ambiences, which is triggered by a "sidechain" Stylus RMX track. Random filter modulation on the analog synth sequence part too.

100% Omnisphere and Stylus RMX

It's hard to listen to this demo and not smile!

Tom got inspired by the Human Vocal Breathing FX section in the core library, and put this little gem together for us. Very cool how he uses the twin bass lines too. Shows off a little bit of  Ambiences, Vintage analog sequences, Bell tones, and unique bass sounds too.

Excellent Drum programming and use of Groove Control with Stylus RMX to make that stutter drum intro.

100% Omnisphere and Stylus RMX

This one really rocks! Paul does a killer high-energy techno film -chase-type soundtrack. Shows how massive Omnisphere can be for ultrawide Bass sounds in an intense setting.

Great RMX programming here too....burning!

100% Omnisphere and Stylus RMX

Matthias is one of the reviewers at the German magazine Keys, and he put together this impressive sounding demo for his review. Punchy and FAT! Nice work Matthias.

100% Omnisphere and Stylus RMX

Noted game composer Lennie Moore contributes this groovy Weather Report style piece using Omnisphere and RMX.

Nick Manson's on the nasty lead synth solo. This sounded a bit like waking someone from their grave, and all the Conga stuff reminded Nick of the late comedian Andy Kaufman..........hence the nutty title.

100% Omnisphere and Stylus RMX

UK Remixer Adrian Clarida takes us on an unexpected journey through territory that is definitely WAY off of the "pad/ambient" chart!

Using the Solo mode and glide, he turned the "Magnetic Chamber Strings" sound into a wicked baseline hook.....making it a far more interesting track that your typical 303 acid line could provide. Great drum programming and use of Groove Control on RMX too. Really shows how serious a combination RMX and Omnisphere are for Dance music........hard to top.

100% Omnisphere and Stylus RMX

Diego focuses on showing many different Ambiences in a complex tapestry, weaving one into the next. Excellent demo of the power and sound quality of Omnisphere and the propulsive groove of RMX. Would make a great soundtrack for a Ferrari commercial.

100% Omnisphere and Stylus RMX

Now it's time to shatter some preconceptions about Omnisphere being a "specialized" instrument that only does "pretty" sounds. Here EP is clearly dealing with some pent up issues...and showing some of the more bizarre and totally unique sounds that are a big part of what Omnisphere is all about. Check out the massive Lead sound and wild CS-80 Basses!

100% Omnisphere and Stylus RMX

A gorgeous and very musical demo that showcases a wide variety of the many lush pad colors that Omnisphere has. Nick did some clever rendering to achieve all the changes in texture from section to section, and an interesing technique with the ending solo and comp chords: He originally played it in one pass on a Rhodes sound, and then split the left and right hands in the MIDI sequencer, assigning them to the unique solo sound he put together with some different layers, and the analog Oberheim style comping part on a different Omnisphere part. Great playing...not to mention the excellent percussion programming with RMX too.

100% Omnisphere and Stylus RMX

Get ready for some seriously intense synth work! An incredible demo of how powerful and huge Omnisphere can sound...it ain't small...that's for sure! Doesn't it make you want to put on a Superman outfit, go to Berlin and join the Love Parade?

Ned says this is an ode to his "raving" years....yiikes!

100% Omnisphere and Stylus RMX

Ned takes us on a little trip through some of the unusual sounds in Omnisphere: from the fizzy opening texture, the cascading flanger pad, to the Vertigo FX and the "Silver Apples of the Moon" sound with the random pitch modulation that inspired this tribute to electronic music pioneer Morton Subotnic.

But as Ned says, "Morton didn't have access to Stylus RMX!" A cool demo filled with surprising twists and turns.

100% Omnisphere and Stylus RMX

John tells us to imagine a stealth midnight snack trip to the fridge as we listen! The Shhh effect is from the Human Vocal Noise section, and he's is always great at finding the quirkier sounds to feature. Big ol' Bass and cool Granular vocoders sounds are all from Omnisphere too. Shows how much of a "chameleon" Omnisphere can be! Great use of Stylus RMX in this demo too. Hmmm...makes us a little hungry too...where's that cheescake?

100% Omnisphere and Stylus RMX

Ned was a "demo animal"...with new demos erupting almost daily it seemed!

This is another "tear your head off" style demo, showing how intense the combination of ambient and power-synth sounds can be used to great effect in a high energy setting. This is essentially a dry mix too, the effected vocal sound is actually from the Human Voice FX category of Omnisphere.

Makes us wonder where Ned gets all his energy....wonder what he eats for breakfast?

100% Omnisphere and Stylus RMX

A gorgeous example of how Atmosphere and Stylus RMX can be used in Film Music cues. Tob uses the RMX add-on cymbals to great effect here and most impressive is the use of Omnisphere for the Piano type sounds (especially considering Atmosphere doesn't HAVE ANY pianos!)

FEATURING: Atmosphere, Stylus RMX and Trilian